The Crow: Memento Mori is all out now. The first series in a while, and the first I've picked up since Skinning The Wolves, the one James O'Barr plotted a few years back. After that one went with someone bearing the marks of his death, this goes back to the shirtless guy with dramatic makeup.
And, oh, it's about terrorism. And the reason behind it is, well, it's a twist certainly.
It's pretty. It's pretty vacant, and we don't care.
So it keeps up the "the original was great because it came from the creator's life, and the first film works because it put that weight into it, and nothing else stands up" tradition. So, there's that.
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